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The Secret Life of Musical Notation: defying interpretive traditions

Chapter Two Audio Clips

2.1 - F.J. Haydn: Sonata in E-flat Major Hob. XVI/49 - II. Adagio e cantabile - mm. 1-10
2.3 - F.J. Haydn: Sonata in C Major Hob. XVI/50 - II. Adagio - mm. 18-19
2.5 - W. A. Mozart: Sonata in D Major, K. 284 - III. Andante, Var. VII - mm. 14-17
2.6 - W. A. Mozart: Sonata in B-flat Major, K. 333 - II. Andante cantabile - mm. 20-22
2.7 - W. A. Mozart: Adagio in b minor, K. 540 - mm. 1-2

This audio file illustrates how the writing may lead to a deceptive metric order implied by the weak beats.

2.14 - F.J. Haydn: Sonata in E-flat Major Hob. XVI/49 - I. Allegro - mm. 12-24
2.24b - F. Chopin: Sonata in b-flat minor, Op. 35 – I. Grave-Doppio movimento - mm. 1-5

2.24c - F. Chopin: Sonata in b-flat minor, Op. 35 – I. Grave-Doppio movimento - mm. 1-5

This audio clip outlines contrapuntal exchange and voice leading.

2.26 - F. Chopin: Polonaise in A-flat Major, Op. 53 - mm. 1-11
2.27 - F. Chopin: Polonaise in e-flat minor, Op. 26, no. 2 - mm. 31-35